a day in the life: 11 march 2016

A-Day-in-the-Life Trish at Love, Laughter, and a Touch of Insanity is hosting her 2nd annual “A Day in the Life” series, where bloggers share a normal day outside of writing about books on their blogs. This is my Friday, March 11, 2016.

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First up, I had a normal workday. Here’s (one side) of my office—two screens means business, people! I keep it pretty colorful and busy on the walls, though. I have original art mixed with concert posters, painting poster-size prints, calendars, and a photo collage of family and my babies (niece and nephew) to get me through the day. Most of my job in the marketing department consists of making the printed programs for our music school’s recitals and concerts, and managing the social media. My office is adjacent to the large ensemble rehearsal room, so on Friday I would have heard conducting class, Wind Ensemble, Orchestra, and one of the jazz bands have class and rehearsal all day. It’s a normal soundtrack to my days. People seem to be split—either they don’t know how I get any work done with the constant action and “noise,” others think it’s super cool to hear live music all day long. It’s a little bit of both for me, but by and large I like the students being around and hearing rehearsals. I’m so used it that when I try to work at home I usually need to put on records or TV in the background!

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I had a couple of errands to run after work. First, I submitted my completed challenge form to the KC Library, which has an adult reading program at the beginning of each year: read five books between January and March. There’s always a theme with suggested books on that theme, but you can read any five books and it counts. If you complete the challenge, you get a piece of awesome glassware (coffee mugs and an old fashioned glass in the past). This year I got a beer stein! Pic on the left above is the book circle sculpture at the entrance to the Plaza Branch.

After the library I swung by our favorite local vinyl shop, Mills Record Company in Westport, to pick up a record that I had on order that came in (Galactic’s Into the Deep). Of course while I was there I picked up another couple of records… Esperanza Spalding’s new one and The Band’s The Band.
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After these errands, I went over to P. Ott’s, a dive bar on the Plaza, where my husband and our friends were already celebrating one of our friend’s passing his dissertation defense that afternoon. We’re not a picture-taking group really, but I remembered to snap this one pic of a poster on the wall of the bar on my way out.

I left the party early because I was assigned to review the Alicia Olatuja Quintet at the historic Folly Theater in downtown Kansas City on its Folly Jazz Series. I love the Folly, it’s one of my favorite Kansas City venues.

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Olatuja was fantastic—she has a beautiful voice and a way of blending genres that’s both memorable and accessible to fans of all styles of music. I spent the weekend after the show writing up my review for KCMetropolis.org, Kansas City’s online journal of the arts, for which I’m also executive editor. Heres the review: Olatuja transcends the Spotlight

After the concert, I went BACK to P. Ott’s to rejoin the party! Nick and I were there until… I’m not even sure. After midnight, I think. I didn’t even read anything all day. Pretty typical!

IMG_1073This happened the next day (Saturday, March 12), but I thought I’d sneak it in this post since it’s a normal thing in my life! Saturday night I played a gig with one of my orchestras, Heritage Philharmonic, out in Blue Springs. We played Vaughan Williams’s Five Variants of “Dives and Lazarus” and Holst’s St. Paul’s Suite for String Orchestra. (There was more on the concert, played by other sections of the orchestra.) This is a selfie I snapped backstage waiting to go on. Fun times!

manhattan transfer + take 6

KCMetropolis.orgI feel like it’s been a long time since I’ve posted a KCMetropolis review here. Summers are always slow (except for Fringe Festival, which I did cover and shared my complete list of coverage here), so I supposed this is my first solid review of the new season!

I had the pleasure of seeing two revered vocal groups at the Kauffman Center for the Performing Arts on last week: The Manhattan Transfer and Take 6. I’d only heard recordings and seen YouTube clips—they were fantastic live! There’s not much more to say about such well-known, respected singers. It was just a really energized, engaging, fun show; both groups did a bunch of memorable hits in really interesting arrangements. The Manhattan Transfer kept it classic with more vocalese jazz standards, and Take 6 went for more pop, gospel, and R&B. Seeing them together felt like a once-in-a-lifetime sort of event. I enjoyed it a lot, despite the monsoon I had to drive home in!

Read my full review on KCMetropolis.org:

my top picks 2014–15

KCMetropolis.orgIt’s that time again! I was worried I’d have trouble putting together my list, but it turns out despite having another kind of crap year personally, I did end up seeing some fantastic concerts. Here is my top picks list on KCMetropolis.org (in chronological order):

Rag Swing Bop! by Paul Mesner Puppets at the Gem Theater as part of the American Jazz Museum’s annual Charlie Parker Celebration. A great, fun way for young Kansas Citians to learn about important parts of our city’s history. (August 2014)

• Buddy Guy on the Performing Arts Series at Johnson County Community College. I loved seeing Buddy last fall as much as I loved seeing him live 15 years ago—he hasn’t lost his edge one bit! (September 2014)

• Yo-Yo Ma and Kathryn Stott on the Harriman-Jewell Series. I’d never seen Yo-Yo Ma play live before, and it was a thrilling experience. (October 2014)

San Francisco Symphony, conducted by Michael Tilson Thomas,on the Harriman-Jewell Series. Its performance of Ravel’s Daphnis et Chloé in Helzberg Hall at the Kauffman Center was simply breathtaking. (November 2014)

• Hozier at Liberty Hall in Lawrence. I hadn’t been to a rock concert in a long time, and Hozier lived up to and exceeded my expectations. Click here for my blog post. (February 2015)

• The Book of Mormon, presented by Theater League/Broadway Across America, at the Music Hall. My husband and I were having a really bad week when we went to see this, but Mormon let us just enjoy a bit of raunchy, ridiculous humor for an evening and forget about our troubles. (February 2015)

• Jonathan Harvey’s String Trio and Eight Songs for a Mad King by Peter Maxwell Davies, performed by newEar Contemporary Chamber Ensemble. Harvey’s String Trio was exactly the kind of complex new music I love hearing, and Kenn Kumpf from Chicago was intense and mesmerizing as the insane George III in the rarely performed Eight Songs. (April 2015)

• Ensemble Ibérica on the Performing Arts Series at Johnson County Community College. Led by Beau Bledsoe, Ensemble Ibérica took its enraptured audience on a tour of Mexican regions through captivating, authentic traditional music. (May 2015)

• Musical sweethearts Victor and Penny performed a work-in-progress on Central Standard Theatre Kansas City‘s The Invasion series, but they are just so genuine and talented they captured my heart. I’m looking forward to seeking out more of their shows in the future. (July 2015)

• Emerging bluegrass duo The Matchsellers had a killer set on the Kansas City Fringe Festival, with a great mix of old standards and idiomatic new originals. I’m going to keep my eye out for these two around town as well (July 2015).

Read my list of top picks with more thoughts and direct links to individual reviews at KCMetropolis.org: Editor’s Picks 2014–15 season: Kristin

2015 kc fringe fest coverage

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Whew! It was another whirlwind of a week with the KC Fringe Festival. I scaled back my coverage a little bit from last year (14!)—that was nuts, I couldn’t possibly do that again! But just because I scaled back to nine total this year, doesn’t mean KCMetropolis.org scaled back. In fact, we exceeded our record, with more than 50 articles covering or related to Fringe. It was an exciting if exhausting week! We had a blast. Here are the direct links to my reviews:

BONUS: Not on Fringe, but I also saw Victor and Penny perform at the MET:

voice

KCMetropolis.orgA little more about my latest review on KCMetropolis.org:

Last Saturday night, Valentine’s Day, my husband and I went to Overland Park to hear Voice perform on the Performing Arts Series at Johnson County Community College (one of my favorite presenters—it always has a fantastic, fun season). Voice, a British all-women a cappella trio, was a lovely choice for Valentine’s Day. I’m no fan of Valentine’s Day—mostly I think it’s saccharine and disingenuous. We should be showing our love to each other year-round! February 14 is not a significant date in our relationship, at least. Anyway! Voice’s program was neither too sweet nor too sappy; it had just the right kind of earnest sentimentality making for an affecting evening. I enjoyed it and would love to see them perform again one day!

Read my full review at KCMetropolis.org:

mark morris dance group: acis and galatea

KCMetropolis.orgBack in the saddle of reviewing stuff again after the holiday hiatus. Also, I’m pleased to realize last night that this week is my 5th anniversary writing for KCMetropolis.org! A few extra thoughts on my latest review:

On Saturday night Nick and I went to the Kauffman Center for Acis and Galatea, staged by Mark Morris Dance Group. The Harriman-Jewell Series is celebrating its 50th anniversary this season, and so to mark this occasion went in on co-commissioning this production from Mark Morris. It was spectacular! I’m not usually very into Baroque music—I respect it and everything, and it’s pretty fun to play, but I can’t say I sit around and listen to it in my leisure time much. But I was really pleased by the fine treatment of Mozart’s arrangement of Handel’s Acis by the orchestra and choir, made up of Kansas City-area musicians. You would have thought they played together all the time, not just assembled for this one gig.

Acis was pumped up as one of the top events to see this season, and it lived up to the hype. It was a really fun, accessible production that reached across genres—dance, music, art, theatre—that I think almost everyone could enjoy. Congrats to HJS!

Read my full review at KCMetropolis.org: